Wednesday, 25 November 2015

New jobs and new doors and windows to get through.

I've recently got a new job at a tattoo studio as the studio manager.
As someone that wants to go into tattooing once I graduate this is such a massive opportunity.
My plan is to work until I graduate as the manager, learn everything there is to learn about managing a shop and once I graduate I am a shoe-in for an apprenticeship, be it there or elsewhere.

I was speaking to my boss about possible vouchers for christmas, and the fact they don't have any solid online presence or branding, my eagerness to change this was something that got me the job I think.
Well, that and including this picture at the bottom of the email to them:

Which was cheeky, but it worked. I wanted to include something that would set me apart from others and I feel like it conveys my personality quite well. 
When I met my new boss, I told him that if he didn't like it, I would be the wrong person to work for him anyway. 

I created the vouchers but they weren't good enough, I used hand drawn type that didn't work, so I remade them.
I took the best elements from the first and retranslated them into the second. These three typefaces will be ones that I take across into the branding.
Through doing this, my boss has expressed interest in displaying my work in the shop, if I want to of course. He also said he liked the laurels, which I painted and put though illustrator to neaten them up.

I'm really excited to network with this new group of people, and develop and learn from them.
Though there is a lot of politics involved, Tattooists are a proud bunch. 



Tuesday, 10 November 2015

Group Tutorial with Patrick Holley

We had tutorials today with Patrick and I found it really helpful.
I found that a lot of what he asked of us to do with online promotion and websites is something that i've already done, but I want to know how to make it more effective.
Here is my website as it exists now:
 
For two weeks time we need to:
Audit and Edit our work > 10 core images
Look at Mail Chimp for sending out newsletters and blanket emails
Work on our artist statement (which i've been struggling with)
Look at composing a style guide:
- branding
- colour palette
- Typefaces

This is something I do to an extent with my online appearance but not vigilantly.

Thursday, 5 November 2015

Live Halloween painting

Me and my friend Bobbi got asked to do some painting at Studio 24, I said yes but it made me scared, like most things, I hadn't done it before and I wasn't in a rush to suck at it.
I planned my work roughly and wore a blue wig, both big confidence boosters (and I looked suave but that's beside the point).
In the end I had a blast, though I need to check my colours before I paint in a dark room, I totally thought it was a dark foresty green, nowhere near as slimey as it turned out. 



This also provided me with experience of scaling up my work, something I want to improve this year. 
I'm painting again at the same studio space on the 12th of December, so this meant I could get used to and practice in the space. It made me more excited for things to come.

Initial thoughts on what to say about myself.

As part of the live painting brief i'm undertaking for OUIL603, the organiser has asked me to write a bio of sorts to promote the event.
As well as a 30 second video clip of myself, which I am completely dreading.

I lifted the bio from my website:
I'm Lauren, or Wren if you're that way inclined.
Illustrator based in Leeds
I like looking at nature, and i'm a total homebird so it's lucky I live near the countryside.

It seems too cute and doesn't work in context of the night, so I don't really know. I find it easy to talk about my work and less about myself?
Does it have to be in third person? I don't even know.


He wants:
A short bio, emphasise my yorkshire-ness and reference to my interest in old music. 
- a piece to accompany - can be weird.
- a piece that I believe in.

He proposed:
'Wren Den is an opened eyed universe of potential. She is an artist. She where's wears dungarees and smoke's roll up's. Wren Den reminds me of Dexys Midnight Runners. She is a young Soul Rebel. Thankfully she lives in Yorkshire, and everything she does apply's.'

Which sounds a bit mental to me, bits work and bits don't, this is hard!

"The Wren is an open eyed universe of potential. A visual artist and designer that will try almost anything. She wears dungaree's, smokes rollies and still can't bring herself to like real ale. Wren reminds me of Dexy's Midnight Runners, a young soul rebel. She would say she's more Lady Stardust but nowhere near as cool. Thankfully she lives in Yorkshire, and everything she does apply's"



Tuesday, 3 November 2015

I learnt how to make invoices!


I was advised by John that we don't really need invoices at this stage, but it was requested by the client for this particular brief. I had never written one before this point so felt a little daunted. I asked around my friends for what they include and went from there!
I know the information is dull but I spruced it up a little, it also ties into my personal branding which is always good. 
It's also more of a guarantee that I will get paid, which is something I worry about! 

Monday, 2 November 2015

I saw a bunch of cats taking part in #inktober this year, and I thought "yeah this will be easy and it will make me paint more! What can be bad about it?" The answer is me, I can and am bad. 
Everything that I painted I really enjoyed, a lot of them didn't have any purpose, just painting for fun. The downside was the niggling guilt when I was busy doing other things and knowing I should be painting. 
Overall I made work, and work that I am happy with, but i'm so disappointed at my lack of discipline.
These are some favourites:



Wednesday, 28 October 2015

Post acid or post fun?

I found this gig poster as I was looking through Facebook, and I don't get it.
I've listened to Wavves for years and this poster doesn't suit the style of their music at all. They're primarily a bunch of skaters that take acid and make good music, and this doesn't really reflect that. What happened to the slime green and weird cats and diy-esque photo montages?
It all just looks a bit dull for a band who dressed up as an alien and taught him how to skate for their video "post acid"
I think this reinforces that colour and context of album covers and posters must reflect the music, so it makes sense and engages their audience, I need to make sure I consider this when resolving my one a week album brief for OUIL603.


In comparison to:


Tuesday, 27 October 2015

Pobiak - Gig Posters

// Original interview here

I stumbled across this article through Awesome Merch and it perfectly sums up everything I want from this year I guess, or at least a big 75% of it. I want to be good at poster design, focusing mainly on music.
Adam Pobiak is really interesting as he draws upon the psychedelic style I'm currently looking at for Studio Brief 1 and 2 for this module. He says he took inspiration from The Fillmore posters of the sixties, something I have being unknowingly drawing upon without knowing the name of, which is pretty cool.
I find it interesting he prints his own, and it raises the question whether my resolutions would have to be screenprinted, a process I find beautiful but incredibly hard to get my head around.

I think the colours are too dark for me but the overall compositions and hidden details are something I want to recreate within my own work.


Can you please share three bits of advice for any aspiring gig poster artists or artists in general?
Don’t get into it for the money, but if you love doing it don’t stop doing it. If you really love doing it, and do it for long enough you will likely end up much better at it and getting some attention for it.... or at least being able to take “business” trips to Flatstock to get drunk with your friends who were also ill-advised enough to get themselves stuck in same profession.

Monday, 26 October 2015

Tattooists that make me want to stab people (in a good way)

I have always had a great interest in tattoos and tattooing, and an opportunity of a possible apprenticeship that is very loose and mostly discussed with my tattooist while he's tattooing me, but I guess it's planted a seed.
Or made the seed that was already there sprout a little. 
If I was to do this, I would begin by shadowing him and learning more about his process, I would also need to adapt my paintings into things that could be tattooed, cleaner edges, outlines and possibly simpler to begin with. 

Armelle STB
Her work is so beautiful and clean, working only in black I think her tattoo's are striking, and something that I would LOVE to have created.













Beatrice Myself
Maybe it's a theme that most of the tattooists I love are French. Beatrice Myself's work is stranger, there's a more definitive style of old school stick and poke. I think my work has elements of both of these artists and a combination of the two could be really somethin'.



One image, multiple opportunities


I recently painted a series of birds for an upcoming deadline. I shared it on my Facebook page and from ONE SHARE I got:
- A message about a commission, which i'm going to take on, it's a simple painting in this style and is a good way to make quick money.
- A message asking me to be involved in some live painting/exhibition on Halloween, painting birds, I'm already painting somewhere else on Halloween so had to turn this one down. 
- A message asking me to be involved in an exhibition at Studio 24 on Mabgate, for christmas, and i've been given free rein on what I put in.

Also from the last one, the organiser of the Studio 24, Dean, wants me to work with him curating an exhibition of emerging artists in Leeds. This is something I'm thinking of discussing with Matt/Fred about our courses work, maybe a call for submissions. I will also ask Sister Said (a collective I'm a part of with the same aims) if they want to be involved too. 


I don't think I realised the magnitude of social media and getting work out there until the beginning of third year, it seems that the more I post, the more interest I have. This shows I need to keep updating these platforms for a bigger chance of commissions and opportunities. 


Questions and dreams and how to achieve them?

In anticipation of my tutorial with John, I put together some questions/things I need help with:
- I've been asked to produce a poster for a festival and I have no idea what to charge, or how to go about it?
- What's the best way to price work and organise the information?
- What needs to be included in an invoice?
- How do I balance commissions and work?
- Tell me what to do?
- Help?

We were also asked to come up with some dreams of ours, I assume professional dreams because my ultimate dream would be to make a massive den and never leave it.
Dreams:
- Have a successful online print store.
- Become a tattoo artist (this is an idea in the pipelines, and if I were to do it, I would want to be great at it)
- Be able to support myself.
- Be able to have time to volunteer with Horses. Something I no longer have time for and it makes me sad.


Aims for Level 6:
- Update website and have an updated online portfolio
- Don't die of stress
- Become quicker at resolving things
- Keep organising everything to make things run smoothly
- Don't die of stress
- Become more professional when responding to clients
- Keep networking because it opens SO MANY DOORS.

The Brunswick - Art Market



I attended an art market this weekend at The Brunswick, set up by I Am Collective. 
I set up the stall with my friend Bobbi, and we screen printed new stock and had a really fun day full of talks about puppies and typefaces. 
It was quiet, but we both managed to cover our costs for the day (not accounting for all the red wine I drank)
I was worried we weren't going to sell anything due to it being so quiet but it picked up around 3:00pm, which cut it quite fine. 
A guy bought two prints of work I exhibited at North Bar last year, and wants to use it for an EP cover. I told him to email me so I have time to work out the details, I'm happy for him to use it but I have a habit of being quite blasé and letting people have my work. 
"Yeah dude, don't worry about it, just have it I have loads!" or something to that effect, so I bought myself some time to NOT do that. 
Overall it was a productive day, and I realised I have A LOT of stock to take to Thought Bubble. 

Wednesday, 21 October 2015

Thought Bubble '15

I got an email the other day asking me if I want a table for Thought Bubble '15 (I was on the reserve list) and I don't really know what to do about it.
Matt told me to stop being a silly sausage.
Orlaith and I applied for the table about 6 months ago but missed it, so of course we spent our time on other things like watching entire box sets on Netflix and the like, NOT making work for a festival we weren't going to be selling our work at.
Now we have roughly three weeks, and i'm using the word roughly to make it less scary.

Pros
- Exposure
- Fun times
- Make money
- Get seen
- Massive opportunity
- If we say no, will it burn bridges? They might not ask us again

Cons
- We have SO MUCH work to be doing
- Will we have time to get stock together?
- It's pretty scary, what if i'm shit?
- Will we fill the table
- Will I be able to balance uni work and other client deadlines with this?

Even after all the cons I still think we should do it, my heart says yes and my brain is saying "yeah but hang on and think about it and don't be a total div"

So I STILL don't know what to do.

Tuesday, 20 October 2015

I found this by Michael Gillette and I think it's such a beautiful redesign. He reimagined all of the Bond books by Ian Fleming. 
What really interests me about this is the use of hand lettered type, it's something I really want to work to improve this year and i'm working on redesigning a logo for a local Psychedelic band, and this typeface is perfect. 
I had ideas of going really sort of Pink Floyd/Jefferson Airplane psych posters of the seventies, with a little bit of Mucha composition mixed in, but this has made me think in a completely different direction. 

Ohh Deer - Pillow Competition


I decided to submit my work to the following competition. 

I think it will be beneficial to get my work online and out there, and it was really quick to turn around as I used an existing pattern. If you don't enter, you don't get anywhere do you?

Ohh Deer


It's that time of year again, our annual pillow fight is upon us! We're looking of course for 

cushion designs to add to our collection.




Boring Bits:

All artwork submitted must be in JPEGformat.
The dimensions of your file must be2715px x 2715px
Uploads close midnight on Friday 6 November.
All artwork rights will remain yours.
All commission payments will be sent out after the competition has ended and our 28 day return policy has expired for all competition orders made. Payment will be made via PayPal.

SCORING SYSTEM

You can boost your work to the top of the store page, our ranking system updates daily and is based on Facebook like & shares, twitter and pinterest (1pt each), and sales (100pt each)


Artwork I submitted:



Friday, 2 October 2015

Mister Finch, Embroidery and Moths


Mister Finch is an artist I found a while ago, through my summer sketchbook i've been exploring adding embroidery to my work, something that happened by accident, but I like it.
For my Thought Bubble Zine I'm going to create an amalgamation of the things i've been looking at, which is Moths and Insects. I've gravitated towards pencil drawing and building upon that. 
Process:
- Draw the Moths
- Embroider into them
- Scan, Paginate, add more things (?)
- Print onto lovely stock, maybe different colours
- Hand bind with stitching, and add embroidery to all five zines. 

I think that through adding to each individual zine will make them more interesting and personal.
Mister Finch describes the process of making his insects, which are decidedly more 3D than mine will be, but it's interesting to know:
Each is made with vintage needlework and is stuffed very tightly. The legs are bound in layers and layers of floral tape, crepe and tissue paper and glue.


An artist that is more 2D, and will prove more interesting to scan is Sparklymouse, who prints fashion photographs onto fabric and reworks them. I think for this purpose I will be fine stitching into paper, but it's interesting for future reference (Apparently we can do this process in the print room!)




Monday, 21 September 2015

What am I doing?

I'm not 100% where this would live, but I guess here is better than any. At the end of second year I feel I needed some time to recollect, my brain has been constantly working at what I could do, what I could BE doing, what others are doing, and ultimately despite that, what i'm not doing and why i'm not.

I feel like Brian from Spaced, but probably a little more stable. I feel like I need to lock myself away from distraction and get stuff done, get the ideas out of my head and focus, focus, focus on university and give everything to my last year.

Things i've learnt over summer:
- How to embroider, in my hodge podge way of making it up as I go along, I found I couldn't paint and whenever I tried it looked terrible, like my hand-eye coordination took the summer off. When this happened, instead of giving up, I took up sewing and found it so interesting, and found I liked the way my lines looked when tangible and made of thread. The next step for this is to keep developing it, would it begin to look completely different from my drawn work as I stop drawing with stitches and start branching out into different things? I've looked at Eleni Kalorkoti's embroidery to learn that this might be the case.


- I only write when I have things to write about.
That sounds really obvious now, but last year I spent a lot of time developing my writing to work alongside imagery, writing as William Burroughs, writing about my experience with introversion. Over summer nothing happened to me which made me feel the need to write, or paint for that matter. I think this is worrying as it makes me think my 'muses' or inspiration could so easily dry up. I've been reading a lot more articles and looking at blogs to try find different things that interest me to try combat this.

- A creative space is important. I'm lucky enough to have a space for a studio in my house, a little box room, but it's mine. I decided to make it better by gutting it and redecorating and reimagining how my creative space could look, with the intention of it being perfect for my return to third year. I realised now that everything is everywhere that I need somewhere to go, to be able to create, and not having that for however long it takes me to make it good is highlighting that.

- People like my work!
My friends over at Sister Said ran a stall at The Garden Party this year selling people's work, mine included, and lots of people bought my stuff! The only material I had was stuff from uni, and it made me realise what sells, what works, what people like at the minute, and people other than my mother think i'm good at what I do. 


Personal and Professional Aims:
- Build a small collection of prints and various works to sell, I've already started this. 
- Actually put them on Etsy or BigCartel and make it more professional rather than relying on people asking, putting out things on Instagram or Facebook.
- Become proud of my work, maybe have a little belief. 
- Draw more, maybe even doodle, I believe this should always be an aim. 
- Keep on top of my website, maybe link a blog to it so I can post more regularly, including sketches and things i've discovered. I always find this helpful when researching artists. 
- Try work on a bigger scale, I feel that the Live Drawing that goes on around Leeds is amazing, but I can never figure out how to scale my work up, maybe I should buy some Posca's.
- Decide whether a Masters in Art Therapy would be a possibility.



Monday, 18 May 2015

Final Presentation

-

Final printed Business Cards

Business Cards:
I spent a large amount of time trying to fit my business card to the branding of The Birds, though it didn't quite fit into the dimensions using the Wren logo that I use.
I decided to use some of my current work to try and keep my own branding current.


Postcards:
I decided that rather than produce a fully printed promo pack I wanted to produce things that I will post along with orders, something which a lot of illustrators I have ordered from have done.
I will include one of these postcards and a business card in every order.
I found that I was getting orders prior to producing these and only had my old business cards to give them, with an outdated website and contact details. My old business cards also had a wrong look to them, as they were printed 3 years ago now. I don't even know how I would go about making work like that anymore.



OUIL502: End of Module Evaluation

I started writing this, then realised it wasn't needed but I think it gives a bit more insight into the module, even if it isn't needed!

summary
I found this module more rewarding than this time last year, it has become more ingrained within my practice to evaluate other practitioners work, not just to look at it. I think that although this was the case I still struggled with key aspects, such as the group pitch for Studio Brief 2. Although taking from that things like pricing and costing up printing and certain things I wouldn't have thought about before, it still was a difficult brief for me.

Studio brief 1
The first brief has been the most beneficial for me as it makes things seem more achievable for me as a practitioner.

studio brief 2
studio brief 3

strengths
- online presence
- simple business cards
- networking - gigs, exhibitions

weaknesses
- could be further developed
- struggled to work in a group
- struggle to talk about myself and my strengths.

5 things for level 6:
Rebrand all websites, logos and letterheads to fit to my work
blog about what im looking at more frequently, analyse WHY i like it and WHY its good.
Look at the branding and proffesionalism of others, not just their work.


Sunday, 17 May 2015

End of Module Evaluation: OUIL505 Applied Illustration

Overall I found this module rewarding once I found the time to dedicate myself to it. With the rest of the modules running at the same time and the deadlines sooner, I prioritised them, which is possibly to my detriment as this is a larger credit module. I found that putting my work onto products and thinking about how much further I can take an initial body of work has helped professionalise my work to a higher standard.
I have found that towards the end of second year, I can see a noticeable improvement to the work I was producing a year ago, if not 6 months ago.

In the research section of this module I found the time and freedom to look to practitioners whose work I felt was what I was aiming towards in my own practise. Because of this I found it became very similar to things on my PPP blog.
I found myself using my visual journal in the correct manner to get everything onto paper, though a lot of the pages within it are sloppy and not to a standard that I’ve been working at, I realised I needed to accept that and move on.

I struggled with pulling imagery out of the poetry initially, wanted to illustrate them quite literally. Upon reflection I found that it was easier to find certain images and draw upon them, making my work more abstract but also focusing more on the atmosphere and feeling of the poetry, which is more successful.
This was beneficial when taking the illustrations from each double page spread and adapting them to fit with other products. This helped in covering the range focus of the module.

Initially I wanted to produce almost everything I proposed, which included the promotional material, the finished book and accompanying range.  I tried to spread myself too thin. Because the focus on the module is not just creating a single product, I adapted my proposal to make the work more manageable. Instead of a 16 page full colour book, I have produced five page spreads with front and back covers, as a taster to the full product. This allowed more time to focus on the range and distribution aspect.

The strengths throughout this module was my use of media, during a critique I was told to stick to watercolour and ink as it’s a skill I have practised and it’s where my practice is the strongest. The process of painting everything In black and changing the colour digitally is something I began to develop throughout the COP module, and a skill which I have further honed throughout OUIL505.
A strength which is usually a weakness of mine throughout almost all modules I have completed is my time management, I began by making a three month plan from March through to the end of May, dedicating days to certain modules and then towards the end of this deadline, planning things by the hour to make sure I achieve everything I want to by the end of each day.

As aforementioned, I don’t believe I dedicated enough time initially to the beginning of the module, although I have created work I am proud of it is difficult to know whether I would have arrived at the same end point had more development work been completed. I think that throughout my studies I rush to the end point and don’t spend enough time to fully investigate the different options that I have. I also had a completely different idea at the start of this module, something that was too large to be feasible at this level, which meant the time I spent focused on that idea was time where I could have been developing practically and conceptually.

From this module I have realised that next time I must:
-       Be less precious from the beginning, get everything down on paper and focus on being neat and professional when it comes to the final resolutions.
-       Continue to meticulously plan my time from the beginning, as this is the way I work best.
-       Improve the proposed mock ups of my work, or produce them and photograph them professionally, this is something I have struggled with throughout this module and also responsive, I could do better.

-       Keep refining my brushwork and build up a tool kit of different brushes to ensure I achieve different qualities of line.

Tuesday, 12 May 2015

Updated Online Presence

Because this year I have been working on two sets of branding I figured they needed two sets of profiles, beside Tumblr, which I use informally mostly for my own work and sourcing inspiration.

Tumblr:
I've found that I use Tumblr as a way to get everything out there, rather than a professional website it's more of a place to put stuff. I post my poems as well as illustrations and paintings I've been working on. But I mostly use it to look at other practitioners.

Instagram:
The Birds:

Wren-Bird:
I found that Instagram is a good way to sell my work, I use it to post prints that i've done and people message me when they want it. I'm in the process of setting up my Etsy shop so will use instagram to link out to the shop to make things more formal.

Facebook:
I found that Facebook at the minute is the most effective way to get my peers to see what I've been doing, hopefully as I do more work the network will grow.
It's also quite a good place to sell work.
The Birds:
 

Wren:


Monday, 11 May 2015

Timetables

Who had any idea they actually work?
I've found that once I began to get stressed, around mid-march when I began to panic about all my work that planning my days helped.
I think I might have gone overboard slightly but this has really helped me with my work. I began by putting in all the deadlines and immovable things like my driving test. (booked a day before the responsive submission, but I passed!)
After this I decided to dedicate days to modules depending on where the submission was, even if I didn't have specific things that needed to be done I would dedicate that day to a certain module. This helped me keep up with 505 and PPP whilst getting the Responsive and COP modules finished.

I think the best way for me to manage my time is to do it as meticulously as this, even if it takes me half an hour to make and figure out, it is invaluable when I don't have time to sit and think about what next, because I will have already planned it.
I think that because of this way of managing my time, I was able to complete the Responsive module a whole week before the submission allowing time to focus on COP, and in turn finished that module 3 days before the submission. This was a huge weight off of my mind and it helped a lot.

G'WON LASS


Eaves Development

-
My good friend Joe asked me to sell my work at his album launch gig at the Belgrave last week.
I prepared prints, books and the little booklet above to sell. In the end I didn't make much but it was a really beautiful thing to be a part of. I felt really proud of myself, I think I needed that boost.


There were many incarnations of the unofficial gig poster I was asked to create. The above being one of them. I'm glad that I continued to play around with it to get the final resolution that I was truly happy with. I think working professionally to this deadline forced me to think of composition and what worked, more than I normally would. I think this was serious, it was being judged, and I didn't want to let my close friend down. 

Sunday, 10 May 2015

Business Cards

Some examples of cards printed by Awesome Merchandise. I used these a couple of years ago and printed on recycled brown stock, they looked really good but they are very outdated now. 
I think I will place an order for business cards again on offwhite heavy stock like in the "Jen Sharp" example as the colours look really lovely offset against the stock colour. 
Looking at pricings:
100 recycled stock cards = £40
100 Heavyweight cards = £35

Although the recycled is more expensive it is more ethical, which I prefer. It makes me sad the amount of fliers and throwaway promotional items that get wasted, thrown and rarely recycled. 
I guess it's worth it, it's an investment in the long run.